It’s a brand new day for the main Star Wars book as Kieron Gillen slides in to take the reins and I’m like 99% sure that all of my favorites are going to die because I spent all my Gillen Good Luck on keeping Aphra alive. Just like he’s been doing over in Doctor Aphra, Gillen is already working with the events of Rogue One as our heroes venture over to Jedha. Needless to say, things aren’t doing great there in the wake of the Death Star and the Empire is trying to mine whatever kyber crystals it can from the ruins. The Rebels arrive looking for the remains of Saw’s Partisans while the Empire brings in a specialist to try and solve its mining issues. Things are likely not going to go very well for either of them very soon. Shocker, right?
While Jason Aaron’s run was solidly good, Gillen’s new angle for the book can only be a good thing for the series. He’s not a stranger to our core crew, having written them during the two crossovers, but seeing his take on the heroes for once will undoubtedly be fun. There’s already been a tie in to his Vader series that was unexpected yet incredibly welcome.
On the other hand… the art on this book continues to be an exercise in frustration for me. I like Larroca’s style well enough but the moment the faces jarringly slide into photorealism, I’m not a fan. There are at least several panels where the faces clash so much with the rest of the art that they almost look pasted in.
A few assorted thoughts:
- No really. That Vader character has me grinning from ear to ear
- Will the Dreamers be brought up? Why did the Dreamers and this group split?
- Ubin Des has the potential to be a really neat character
- Will the Guardians of the Whills just die out as an order now that there is no temple to guard? If so, that’s incredibly sad.
All in all, a good start to a new era of Star Wars comics. It’s most definitely a good place to jump onboard if you haven’t already.
Star Wars #38: Kieron Gillen/Writer, Salvador Larroca/Artist, Guru e-FX/Colorist, Clayton Cowles/Letterer, Heather Antos/Assistant Editor, Jordan D. White/Editor
Things aren’t going very well for our heroes (good guys and bad guys alike) at the Screaming Citadel. Not even Triple Zero and Beetee are having fun. In fact, the only person who seems to have maintained her cool is Leia but that probably shouldn’t surprise anyone. This is Leia Organa we’re talking about, after all. The issue’s filled with a plenty of violence and “oh crap oh crap how are we getting out of this?” moments and gives Screaming Citadel that still very Star Wars feeling in this very gothic tale.
What amuses me is how it’s the men who’ve managed to get themselves captured and/or compromised while the ladies (and droids) are the ones out there getting things done. It’s not entirely Luke’s fault that he’s the naïve sort who trusted Aphra but he’s been captured nonetheless. Speaking of Aphra, she’s got some really great moments in this issues; ones that reinforce my desire for her and Luke to have their own on-going buddy comedy series.
Aphra’s the key here for character relationships that I want to see more of. This issue in particular makes Sana seem very antagonistic towards Aphra… or at least more so than usual. Perhaps we could trade one of the Kenobi journal one-shots for a flashback to Sana and Aphra’s relationship that gives a little more context as to why they are the way they are.
Penultimate issues can be odd sometimes because they can leave a reader wondering how on earth everything’s going to get wrapped up in one final issue. Star Wars #32 is no different. It introduces an “oh snap” moment on the very final page and I’m honestly not sure how Kieron Gillen’s going to do this despite having every faith that he will. Despite all of that… I would like that final issue in my hands now. Please.
Star Wars #32: Jason Aaron/Writer, Salvador Larroca/Artist, Edgar Delgado/Colorist, Clayton Cowles/Letterer, Jordan White/Editor, Heather Antos/Assistant Editor
Luke Skywalker keeps trying to tell everyone that he’s not really a Jedi yet but no one seems to want to listen. (He’s just Force-shy, okay?)
Star Wars #31 picks up where Screaming Citadel #1 left off with Aphra and Luke as guests of the Queen and Sana convincing Han and Leia that they definitely need to go after Luke sooner rather than later. It’s a fairly fast-paced issue even if the Queen apparently does enjoy playing with her food.
However, there’s something… off about the art in this issue. I liked Larroca’s art on the Vader book but there’s something that feels very inconsistent about his work here. It’s almost like his style changes for some of the panels and I’m fairly sure that Aphra’s outfit inexplicably changes for a few panels. I also don’t care for how he draws Sana’s hair. Honestly, I wish Checchetto was doing this entire arc.
None of that should detract from how enjoyable the story continues to be though. While we may not get anything quite as good as Luke in formalwear wearing a spavat, the dynamics between Aphra and Luke continue to be fantastic. They’re such opposites that any of their interactions can’t help but be fun especially when they’re aligned together. I could read an entire comic series that’s just Aphra taking Luke to dive bars around the galaxy.
Screaming Citadel continues to be a delightfully gothic story with Star Wars #31 leading right into what I can only assume will be an even crazier ride next issue.
Star Wars #31: Jason Aaron/Writer, Salvador Larroca/Artist, Edgar Delgado/Colorist, Clayton Cowles/Letterer, Jordan White/Editor, Heather Antos/Assistant Editor
It’s hardly a secret that this Yoda story arc hasn’t really been doing it for me but after finally reaching the end with this issue? I think it’s safe to call it. I did not like this story arc and find it to be very skippable. I did not care for it and honestly, it’s nice that it doesn’t really tie into the main story too much. If this sort of story was your cup of tea? That’s great and I’m very glad that you enjoyed this arc. I did not.
As I’ve said in a past issue review, the journal framing device felt clunky especially when you realize that Obi-Wan never identifies Yoda by name so we can just barely cling to Luke’s confused ‘Yoda?’ line when he’s freezing to death. I also didn’t care for how Larroca drew Luke in this issue. It felt off.
And so there you have it, folks. A Star Wars comic from Marvel’s new run that I just did not like. It was bound to happen eventually, I guess?
Star Wars #30: Jason Aaron/Writer, Salvador Larroca/Artist, Edgar Delgado/Colorist, Chris Eliopoulos/Letterer, Jordan White/Editor, Heather Antos/Assistant Editor
This is the arc that just will not end and honestly, I’m out of things to say about it. I’ve been out of things to say. Luke continues to read Kenobi’s journal and its story about how Yoda went to this weird planet and now Yoda’s communing with a mountain that’s not actually a mountain. Honestly, I’d be far more interested in this story if it had been a two or three issue arc and even then, I’m anxious to get back to our main story at this point. Five issues is feeling a little much.
I mentioned in my review last time that the Luke reading this Yoda story in Ben’s journal felt a little clunky as a framing device and while that still holds true, the purpose is revealed here as Luke impulsively flies to the planet in question. It’s very Skywalker of him and admitted, I’m mildly interested to see what happens.
Overall though? This arc still gets one giant shrug from me. Maybe I’ll have more to say next issue.
Star Wars #29: Jason Aaron/Writer, Salvador Larroca/Artist, Edgar Delgado/Colorist, Chris Eliopoulos/Letterer, Jordan White/Editor, Heather Antos/Assistant Editor
Don’t ask me to make sense of comic publishing schedules but apparently we get back-to-back issues of the main Star Wars book this month. Which is… fine? I guess?
It wasn’t as noticeable last issue since we basically just stayed with Yoda except for a panel or two but we’re literally getting a story within a story within a story with this arc. I don’t have a problem with using a Kenobi journal to tell other stories within this main book but man is it starting a feel a little clunky. Just tell the Yoda story that you want to tell and skip all the hoops.
Honestly, just like with the previous issue, there’s not much to say here. This Yoda book just is not my cup of tea. That said, there were definitely some moments within this issue where Jason Aaron completely nailed Yoda’s character. Several of his lines felt like they could have been right out of Yoda: Dark Rendezvous. (For those of you not as familiar with Legends, that’s a high compliment.) I am also interested to see how this story gets wrapped up given how the issue ends but… It’s just another shrug from me. I’m ready for the next story arc.
Star Wars #28: Jason Aaron/Writer, Salvador Larroca/Artist, Edgar Delgado/Colorist, Chris Eliopoulos/Letterer, Jordan White/Editor, Heather Antos/Assistant Editor
The adventures of Master Yoda on the planet full of children continue and… well… honestly, it’s not my thing. While Star Wars #27 doesn’t have the little bits with Threepio and Luke that distracted from the main story in the previous issue, they were actually missed here. I could have used a little bit of Threepio levity in this issue.
It’s not that the issue is bad. It’s just not my cup of tea. Yoda has really only been a character who caught my attention once in the past although interestingly enough, that story also heavily featured children. Getting more Larroca/Delgado art is always delightful and they’ve definitely put a lot of care into getting Yoda right especially for the larger panels. The story just has yet to draw me in and I honestly don’t have much else to say about the issue.
So the verdict? Go for it if you’re a Yoda fan or a big fan of the Jedi. Pick it up if you’re a completionist but maybe skip if you’re not. That said, the arc’s not done yet. Who knows where this might go?
Star Wars #27: Jason Aaron/Writer, Salvador Larroca/Artist, Edgar Delgado/Colorist, Chris Eliopoulos/Letterer, Jordan White/Editor, Heather Antos/Assistant Editor
This is, obviously, the much talked about Yoda arc with just a dash of the fall out from the Rebels’ theft of a Star Destroyer thrown in. I’m rather torn, by the way, about how I feel about the use of Obi-Wan’s journal as an excuse to do stories like this. On the one hand, it feels unnecessary and Marvel could very easily get away with just going for it with these stories when they want to. On the other hand, Threepio’s inability to shut up at the start is downright hilarious and Artoo’s devotion to his friend is so sweet. You win some, you lose some?
We haven’t really touched on the Yoda aspect though. His introduction here is neat but I’m still hesitant to see how the meat of the story arc goes. The concept of a planet full of children is uhhhh strange to say the least. However, et me emphasize how glad I am that Marvel found a way to keep Salvador Larroca and Edgar Delgado in the Star Wars family for a little while longer because daaaaaaaang do they draw a good Yoda! This is such a good artist/colorist team up that I’ve loved for years and I’d honestly love to see them just art their way through the galaxy far, far away.
Also, if Jason Aaron ever wants to write a Qui-Gon and Obi-Wan series, please let him. His Qui-Gon was so perfect that I could actually hear Liam Neeson’s voice in my head while reading some of his lines.
In short, there’s nothing to necessarily dislike here. It’s just a matter of seeing how the rest of the arc goes.
Star Wars #26: Jason Aaron/Writer, Salvador Larroca/Artist, Edgar Delgado/Colorist, Chris Eliopoulos/Letterer, Jordan White/Editor, Heather Antos/Assistant Editor
How do you end a comic that has been so consistently excellent like Darth Vader? You make Darth Vader #25.
Spoilers aplenty from here on out. Continue reading
Darth Vader #24 goes by fast. And I mean really fast.
Look, there’s nothing that you can’t see coming in this issue. Or at least the general ideas of it. No wait, I take that back. The last page made me go “Oh snaaaaaaaaaaap” and then made me cranky that I don’t have Issue #25 in my hands right now. If you think I’m going to spoil that ending for you here though… boy oh boy are you looking at the wrong review.
One of the best things about Kieron Gillen’s work on this book has been how he hasn’t shied away from the Prequels. It’s news to no one that the Prequels are controversial and there is a subset of fans who enjoy yelling about how bad they are and how they should be ignored. Delightfully, Gillen does the opposite and godamn it could not be clearer that Darth Vader definitely used to be Anakin Skywalker and still is at his core. If he wasn’t, he wouldn’t still be haunted by the memories of Obi-Wan and Padmé. Despite those internal struggles, Darth Vader is still a force to be reckoned with. Cylo may have activated the kill switch in the suit but it is a gesture that is insignificant against the power of the Force.
There’s not much more to say here. Again, it’s a good issue that is a very fast read. Salvador Larroca does some neat stuff with a page full of lightsaber dueling but beside that… everything’s leading up to the final issue. Everything. How can we possibly wait patiently for that last issue when we know SO MUCH IS GOING TO GO DOWN?
Darth Vader #24: Kieron Gillen/Writer, Salvador Larroca/Artist, Edgar Delgado/Colorist, Joe Caramagna/Letterer, Jordan White/Editor, Heather Antos/Assistant Editor