The end of an arc in the main Star Wars book means it’s time for another foray into the journal of Obi-Wan Kenobi. Artist Mike Mayhew returns to team up with Jason Aaron as we jump in our ship and head back to Tatooine.
In theory, the Obi-Wan interludes are about Obi-Wan watching Luke growing up but as we reach the third one, it’s becoming clearer that they’re really about Obi-Wan and Owen Lars and the tenuous relationship between them. Don’t get me wrong: young Luke is enthusiastic and adorable and a breath of life on the page. The shaky and ever evolving understanding between Owen and Obi-Wan is something entirely different. Almost two decades pass between the trilogies and it makes sense that things between them wouldn’t be static. I’m intrigued to see where else this might go especially if Beru gets to play more of a role. (By the way, the flash of her being a total bad ass in this issue was AWESOME.)
Mike Mayhew’s facial expressions are probably the strength of his work in this book. They tell stories entirely on their own on his very polished and pretty pages. I wasn’t overly fond of how Black Krrsantan looks more like King Kong than a wookiee in the face on one page but that’s a relatively minor quibble. That said, Mayhew definitely knows how to frame a heroic shot.
The more the Star Wars team publishes these Kenobi Interludes, the more I enjoy them. They continue to be a palette cleanser of sorts between arcs but in the most positive way. It’s a nice way to take a deep breath and let it out again before we dive into our heroes’ next adventure. That said… bring on the stormtroopers!
Star Wars #20: Jason Aaron/Writer, Mike Mayhew/Artist, Chris Eliopoulos/Letterer, Jordan White/Editor, Heather Antos/Assistant Editor
It’s never easy to follow up an amazing crossover event and so Star Wars wisely chose to include another entry from Obi-Wan’s journal before moving onwards. It’s something I was hoping Marvel would do and I definitely hope that they continue to do so. However, I’m a little conflicted by Star Wars #15 by Jason Aaron and Mike Mayhew.
I enjoyed the issue but something about it just didn’t quite click like the previous one did. Let’s start with the good things. The issue lets readers get to see what Luke was like as a child and how Obi-Wan continued to watch over him from afar. Getting to see a relatively young Luke with his enthusiasm for flying and already strong desire to get off that desert rock is neat as heck and not just because of the easy Anakin comparisons. It’s also cool to see Owen and Kenobi actually interact even if the depth of Owen’s anger seems rather extreme when compared to his personality in Attack of the Clones and A New Hope. That said, it’s not something bad. People can change a lot over the course of two decades and it would be interesting to see the evolution of Owen Lars.
What didn’t quite work for me was the artwork. I like Mayhew’s work well enough and really dug what he did with Dark Horse’s The Star Wars but it felt too clean and too pretty for this sort of story. The previous Kenobi story had art that felt rougher and more appropriate for a backwater planet like Tatooine. Story-wise, this also didn’t have quite the one-shot umfph that the other did as it feels too open ended. It would’ve been better as a part of an arc.
End of the day? More Obi-Wan is always a good thing.
All good things must come to an end and thus so does The Star Wars this week. Issue #8 hits comic store shelves today as J.W. Rinzler and Mike Mayhew bring this excellent alternative universe to its close.
It’s a race against the Empire as Annikin Starkiller infiltrates the Space Fortress to rescue Queen Leia. Meanwhile, General Luke Skywalker is leading an army of newly trained wookiees in an aerial starfighter against the deadly battle-station. Annikin, never one for stealth, has already been spotted by Darth Vader and Prince Valorum who are more than happy to deal with the Jedi…
The comic adaptation of George Lucas’s original screenplay is back! The Star Wars #7 by Jonathan Rinzler and Mike Mayhew hits comic stores everywhere today. Will General Skywalker succeed in keeping the royal heirs to Aquillae safe from the Empire’s grasp?
Crash landings are the name of the game when it came to Yavin. Luke Skywalker and Han Solo leave the two young princes in the care of an anthropologist named Owen Lars and set out to find Princess Leia (who has been captured by slave trappers) and Annikin Skywalker (who has been declared some sort of god by the wookiees.) Even with their new allies, our heroes are in for a tough battle if they’re going to rescue Leia from the clutches of the Empire and Darth Vader.
After a month off, Rinzler and Mayhew are back with the next issue of the adaptation of George Lucas’s original screenplay. The Star Wars #5 hits shelves in a local comic store near you today as our heroes find out whether or not Kane Starkiller’s sacrifice was worth it.
There are some spoilers for this issue in the review.
Alert, alert! This is not a drill: we finally did get to meet Han Solo this time. Issue #4 of The Star Wars by Jonathan Rinzler and Mike Mayhew is out in comic stores everywhere today as the race to escape Aquilae before the Empire can find them continues.
It’s a Desert Ambush as the cover proclaims in Issue #3 of The Star Wars, out in comic book stores today. Jonathan Rinzler and Mike Mayhew continue to adapt the original draft of A New Hope in an action packed issue with more sass than you could possibly imagine. (And hey, I can imagine quite a lot.)
Darth Vader searches for the royal family of Aquilae, hoping to complete the Empire’s victory and a new player joins the search: Prince Valorum; a Knight of the Sith. Meanwhile, See Threepio and Artwo Detwo disagree about how to handle being stranded in the Dune Sea only to both end up being found by Annikan and Leia as they hurry back to the hidden fortress to the Palace of Lite. With the King dead, Leia is now the true Queen of Aquilae but for her safety, Queen Breha orders General Skywalker to take Leia and her younger brothers to the Ophuchi system. But first, they must get safely past the Empire’s army on planet.
For an issue that starts with the droids being stranded in the desert, this issue certainly isn’t lacking for action and goes by so quickly that readers will likely find themselves surprised when they reach the last page so soon. Rinzler definitely knows how to keep readers coming back for more. The weirdness of how some of the names are spelled has yet to wear off and I suspect I’ll never be able to type Artwo correctly on the first try but the weirdness is honestly a part of the book’s charm. It’s difficult to find a reason to complain about Rinzler’s grasp of dialogue and pacing. Again, his use of lines from the film invokes smiles instead of eye rolls and that is absolutely a good thing.
One of the best things about this particular issue was the banter between different pairs of characters. To put it simply: the sass levels were off the charts. I frequently found myself chuckling at Artwo’s lines and downright laughing when Threepio puts an end to the argument. This version of Princess Leia continues to take none of anyone’s crap. Some things stay true no matter what alternate universe they are in. She also has quite the mind for retaliation tactics.
I’m also still not over Mike Mayhew’s artwork. It’s absolutely gorgeous. Mayhew also continues to excel at costume design. The official royal regalia that Princess Leia and Queen Breha wear in the throne room are truly magnificent. I haven’t the faintest idea how Leia can sit with that headdress much less stand but wow does it have a visual impact. Another strength of Mayhew’s artwork is the facial expressions of the characters. At times, it feels like some of the panels don’t even need the dialogue bubbles for the words to get across.
The Star Wars #3 has elevated this book from a ‘pick this book up if you’re intrigued by the concept’ to ‘you should definitely give this book a try’ so run out and go find the first three issues!
The Empire Strikes in the second issue of The Star Wars as Jonathan Rinzler and Mike Mayhew continue to tell and adapt the story of George Lucas’s original draft.
That’s no moon that’s rapidly approaching the planet of Aquilae. The Empire has made its move and now General Luke Skywalker is scrambling to get the war codes from King Kayos so he can mount a proper defense. Meanwhile, Annikin Starkiller is sent to retrieve the recently departed Princess Leia and bring her back safely from school. General Darth Vader presses the Empire’s attack and things are not looking well for Aquilae or for two familiar looking droids who’ve found themselves in the middle of the space battle.
One of the things that makes this book fun is how Rinzler isn’t afraid toss in a familiar iconic line or at least an incredibly strong allusion to one. The story feels distinctly different enough from the A New Hope we all know and love that the sly little nods are a nice little tie back instead of feeling groan worthy. We also get to see snippets of scenes that survived from the rough draft into the final film which are another element that helps readers remember that this is a sort of alternative universe Star Wars. Overall, Rinzler’s writing is a definite check mark in the positives column.
Mike Mayhew continues to be the perfect choice to draw this book. His clean lines and overall art style give that slightly retro feel to it. It meshes well with its status as the adaptation of a rough draft. The costume design is also quite fabulous. In particular, General Skywalker’s uniform stands out. It’s not terribly similar to the Jedi robes but still manages to have a similar feel while looking cool. I wouldn’t be surprised if we see a cosplayer or two sporting the look at future conventions. Leia’s outfit is another standout with a corset element to her look that almost feels like a steampunk influence but still fits with the overall outfit to give off that ‘Princess of Aquilae at her university’ vibe. There is nothing negative that I could possibly say about this art.
The characters are definitely one of the most intriguing aspects of the book though. We’re only two issues in and I’m already finding myself to be quite fond of this older Jedi General version of Luke Skywalker. He’s definitely not a farmboy but rather an established and respected leader. Princess Leia is perhaps the least changed from the films and is her usual stubborn yet sassy self and is a nice thread of continuity. On the other hand, we have Annikin Starkiller who is, for a lack of a better term, infuriating. His people skills seem to be a bit… ahhh… questionable.
Above all though, it was fun to see Threepio and Artoo for the first time. It’s really quite strange seeing Artoo with dialogue instead of beeps and deets. We seem to be heading towards a part of the story that we’re more familiar with so I look forward to seeing how their part in the story changes with no Obi-Wan Kenobi and no farmboy Luke Skywalker to carry the story along.
Again, I recommend picking up this book if the concept even remotely intrigues you. Rinzler and Mayhew are making it worth it. (And hey: if you needed another reason, context clues indicated that we’ll be meeting Han Solo soon.)
This is not your father’s Star Wars: it’s your alternative red-tinged universe’s father’s Star Wars. The Star Wars has taken George Lucas’s original rough draft screenplay of A New Hope and has been translated into a comic by writer J.W. Rinzler and artist Mike Mayhew. The names are similar and so is the basic galaxy but otherwise, this is absolutely a different story.
It is a somewhat familiar tale at the start: the Jedi-Bendu are all but extinct as the Knights of Sith hunt them down for being enemies of the New Empire. Jedi Kane Starkiller and his two sons are on the run while the Emperor announces to defeat the last frontier and conqueror the final refuge for the Jedi: the Aquilaean system. King Kayos of Aquilas prepares for war along with General Skywalker. In the midst of all this, the Princess Leia leaves the palace for her studies and Starkiller arrives on Aquilas with a plea to Skywalker.
This first issue is very much about exposition and establishing this alternative universe and yet it never feels boring. If nothing else, the familiar names and places that continuously pop up in different ways than fans know them will definitely keep readers intrigued. The elements and archetypes are familiar but they’re put together in a completely different order. I’m actually mostly unfamiliar with the original script aside from the basics but Rinzler has definitely done a good job with his translation. He manages to make you care about some of these new characters in just a few short pages and to hook your interest by the final page.
The artwork by Mike Mayhew with colors by Rain Beredo is a perfect fit for the story. It gives it that very classic and almost retro feel while still being dynamic. Seeing all the visual changes and tweaks from the original script is fascinating. Characters like the stormtroopers and Darth Vader and ships like the Star Destroyers look both familiar and yet quite different. It helps establish the story as being in its own universe and they even include a few pages in the back with sketches and commentary on “redesigning a universe.” Princess Leia will still look familiar to readers with her double hair buns while characters like Darth Vader present more of a mental what if? scenario.
At the end of the day, The Star Wars is a visual treat with a “new” twist on a story we all know so well. Is it essential reading for all Star Wars fans? No. Was the first issue enjoyable and does it warrant a read if you’re even the least bit intrigued? Absolutely.