Only a few items of note this week, so let’s get to them!
OMAR JOINS HAN
Michael Kenneth Williams, perhaps best known as Omar on The Wire, has joined the as-yet-untitled Han Solo spinoff film! That’s literally all we know; no character hints whatsoever. Seems like LFL is at least starting to get the “wow, that’s a lot of white folks” memo, though. Faster than Marvel is, at any rate. (Source)
At long last, the trilogy that began with Aftermath, the flagship title in Lucasfilm’s Journey to Star Wars: The Force Awakens publishing endeavor (man, remember that?) has come to its conclusion. By now, no doubt many of you have already voraciously consumed Chuck Wendig’s novel Empire’s End, but for those of you waiting to hear what the audiobook version narrated by Marc Thompson has on offer, I’ve got you covered.
When I saw the teaser for “Through Imperial Eyes,” featuring the POV shot of Agent Kallus waking up, I was momentarily thrilled. Was Rebels going to do an entire episode from Kallus’ point of view? Would they be so bold?
Then I remembered that (a) this is a kid’s show, and (b) TV shows of any stripe tend not to get experimental until their 6th or 7th seasons and they’re hurting for ideas (see: the one-shot experiment in The X-Files’ 6th season episode “Triangle,” or the live episode in The West Wing’s 7th season). And indeed, the shot in the teaser was the only POV shot in the entire episode.
Lots of news this week! New books! New The Last Jedi details! New hair! Let’s dive right in, shall we?
Though rumored as early as December 2015, it’s now official; following the death of original Star Wars actor Kenny Baker, going forward (beginning with this December’s The Last Jedi) the adorable astromech will be portrayed by Doctor Who veteran Jimmy Vee. I guess this makes him R2-D2-2. (source)
With season two of the critically-acclaimed SyFy series The Expanse set to premiere on February 1st, I thought it was high time I went back and took a look not only at season one, but at the Blu-ray set of season one!
Film novelizations are, in their own way, just as tricky a needle to thread as film adaptations of novels. You’re taking someone else’s words and ideas, meant for one medium, and transposing them to another, hopefully doing them justice while at the same time adjusting and adapting them to fit the new medium. At their best, film novelizations can open up the world of the movie considerably, adding more scenes and characters and background information which couldn’t possibly be crammed into a two or even three-hour movie. At their worst, they’re a limp, lifeless transposition of the screenplay, lacking any of the energy or vitality which made the film entertaining. The Vonda N. McIntyre novelizations of Star Trek 2 – 4, or Peter David’s adaptation of The Rocketeer, are examples of the former; the Alan Dean Foster adaptation of The Force Awakens, the latter.
So where does Rogue One’s novelization fall? Somewhere in between. It doesn’t wildly expand the scope of the film, but it fills in just enough gaps in characterization and plot to make it, I’m shocked to report, the first novelization I’ve ever read that I enjoyed more than the film it was based on.Continue reading →
Rebels has — in its own, piecemeal way — been dealing with the fallout from “Twilight of the Apprentice” all season long. Now, in the mid-season finale “Visions and Voices,” things between Ezra and Maul come to something of a turning point.
We’re less than a month out from Rogue One and discovering just what a non-Saga, “anthology” Star Wars film looks like. Lucasfilm seems to be dipping its toe in the non-Saga pool gently, giving us a story — the theft of the plans to the first Death Star — separate from but still intrinsically linked to the original Star Wars film. In the meantime, to whet our appetites and give us some backstory for the characters we’ll meet in the film, Legends and Tarkin alum James Luceno has brought us Catalyst, the story of Galen Erso and Orson Krennic (Mads Mikkelsen and Ben Mendelsohn in the film, respectively) and how their unlikely friendship led to the development of the galaxy’s most powerful weapon.
Random House has consistently released audiobook versions of the novels in the new canon, and Catalyst is no exception. Catalyst is performed by Jonathan Davis — not the lead singer of Korn, but the veteran of more than four hundred(!) audiobook recordings, over of thirty of which were under the Star Wars banner.
So, how does Catalyst work — as a stand-alone novel, as a film prelude, and as an audiobook production? Read on to find out!Continue reading →
Fenn Rau returns, we learn a little more about what’s happened on Mandalore since the Empire took over, and Sabine finally gets a jetpack. “Imperial Supercommandos” serves not only as a sequel to season 2’s “The Protector of Concord Dawn,” but doles out a little more insight into Sabine’s backstory.
John Scalzi is a busy guy. In between writing novels, winning Hugo awards for said novels, and extolling the virtues of churros on Twitter, he’s managed to write a short story called “The Dispatcher,” which, as read by Star Trek’s Zachary Quinto, was released earlier this month as an Audible exclusive, for free. The audio story will remain free until November 2, so we thought we’d give it a listen and let you know if it’s worth your time.