“I know only one truth: It’s time for the Jedi to end.”
The first trailer for The Last Jedi ends with Luke’s shocking declaration about the future of the Jedi Order – that there is no future. After all his explorations of the galaxy, all the knowledge he’s gained about the Force, he’s concluded that the Jedi must die out. This is a result of Kylo Ren’s fall to the dark side and Luke’s subsequent hermitage/depression. He blames himself for what happened, and believes the Jedi Order will keep on destroying itself if it continues. He has become jaded, cynical, and fatalistic.
Or so some people believe. I, on the other hand, have much different thoughts. Luke isn’t calling for an end to the Order because he’s given up. On the contrary, he knows exactly what he needs to do now, and Rey is the only person who can help him.
He hasn’t gotten any less busy since the last time we chatted but Charles Soule was kind enough to sit down with me after the big Marvel panel at Star Wars Celebration last week. We talked about his relatively recently announced Darth Vader book and his continuing work on Poe Dameron including a very in depth look at today’s issue.
Warning! This interview contains spoilers for Poe Dameron #13 and I mean major spoilers. They are all in the back half of the interview so you can safely read until the first mention of the Poe book. Don’t say I didn’t warn you.
Bria for Tosche Station: So you still haven’t talked them into giving you a Palpatine book then? Just a Vader one?
Charles Soule: Yeah but a Vader book is by definition almost a Palpatine book at the same time. They’re still very, very intertwined. The story that I’m telling in the Vader book has Palpatine as the only point of connection that Vader has left anymore. He’s the only person he can turn to for any sort of advice or guidance. His physicality is completely different and completely changed. He has no anchor point except Palpatine, which Palpatine of course knows and realizes and uses to manipulate Vader further in the great tragedy that is Darth Vader’s life. Continue reading →
Thirteen might be an unlucky number for some but it’s definitely a lucky one as far as the Poe Dameron comic is concerned. In fact, this just might be one of the best issues of the comics thus far. There’s action, there’s humor, there’s comradeship, and droids get stuff done. In short, it’s never been clearer that this comic book is one of the spiritual successors to the X-Wing books from Legends and around here? That’s a very high compliment.
Listen. I know that usually I strive to keep reviews as spoiler free as possible but in this particular situation, I am not going to bury the lead because Marvel has finally confirmed what we all strongly suspected back in Star Wars #19: Chelli Aphra is totally gay. First we came for your former Imperial Loyalty Officers and then we came for your Rogue Archaeologists and we are so very not sorry. I’m incredibly pleased that this is something Kieron Gillen and company have confirmed within the text. The more representation within Star Wars, the better.
Oh. I suppose that you want me to discuss the issue aside from Aphra’s sexuality. Doctor Aphra #6 is a great conclusion to the first arc of the book. Gillen and Walker gave us a cool mystical archaeology story mixed with Imperial conflict while also making sure to not neglect what made this book so appealing: the characters. It has a feel to it that’s distinctly its own and Aphra’s proved that she can carry a fascinating book on her own merits without the Dark Lord of the Sith. Hopefully this book is here to stay for a good long while. Who knows what other sorts of trouble Aphra could get up to in the galaxy?
The only thing that’s been bothering me on the art front is that Aphra looks way younger than she should sometimes but that could be because of Kev Walker’s art style. On the other hand, Walker’s also giving Aphra some cool new outfits, which is always a plus.
If you haven’t been picking up Doctor Aphra, I cannot recommend it enough. This book is far too much fun and delightfully Star Wars while also getting to explore other genres. Honestly, there’s no time like the present to get caught up on this book especially with the Screaming Citadel crossover with the main book coming next month. What are you doing still reading this review? Go read Doctor Aphra!
Doctor Aphra #6: Kieron Gillen/Writer, Kev Walker/Pencils, Marc Deering/Inks, Antonio Fabela/Colors, Joe Caramagna/Letterer, Jordan D. White/Editor, Heather Antos/Assistant Editor
It’s likely that no book in the new canon thus far has been as highly anticipated as Thrawn. The announcement at Celebration London last year rocked both the ExCel Center and the Star Wars fandom watching around the world. Not only was Grand Admiral Thrawn making his return to canon but he’d also be starring in a book written by his creator, Timothy Zahn. In short… a beloved character written once more by a beloved author. What could go wrong? Continue reading →
Slow news week in the lead-up to Celebration; we’ve got one bit of convention news, and one HUGE piece of publishing news!
The convention news is: Forest “SAVE THE DREAM!” Whitaker will be at Star Wars Celebration! He will be signing autographs at the Star Wars Celebration Autograph Hall. Please scream-whisper your best crazy Saw impressions at him for me. (source)
The other piece of news is a huge deal: As part of the Star Wars 40th Anniversary, Del Rey has announced From A Certain Point of View, an anthology of 40 Star Wars short stories by a murderer’s row of talent — ranging from old Star Wars hands like Jason Fry and Christie Golden, to newcomers like Meg Cabot and Paul Dini, to podcast darlings Ben Acker & Blacker and Griffith McElroy. The project sounds like the Tales From … anthologies published way back in the Bantam days, as it concerns itself with the characters filling out the background in A New Hope. The anthology is due to be published in October, and you can see a partial list of the contributing authors at the (source).
That’s it for now! Enjoy those Rogue One Blu-rays, enjoy Celebration, and we’ll see you back here in two weeks!
This week on the ThrawnCast, we sign off with the final chapters from The Last Command!
Stay subscribed as Matthew takes over the show to continue this legendary journey throughout the rest of the Expanded Universe. Thanks for listening, and so long!
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Adaptations from films are always a really weird beast. They tend to fall into two categories: forgettable or excellent with very little in between. In all honesty, I didn’t even bother picking up The Force Awakens Marvel adaptation because the art wasn’t my cup of tea. However, when the Rogue One comic adaptation was announced, we were told that it would include bits not in the film and I was instantly intrigued. Is it worth a read though? (Especially given the already stellar novelization by Alexander Freed.)
So far, I’m inclined to say yes. The prologue feels a little rushed but otherwise, Jody Houser does a great job of taking us through the story (up through departing Yavin) and seamlessly weaving in brand new scenes and bits we’ve already seen in the novelization into the film’s narrative. Without a doubt, Bodhi and Galen have benefitted the most from this and Houser’s Bodhi voice is actually spot on. It’s also nice to get a little more of Jyn’s point of view and feel like we’re inside her head, especially during the Yavin scenes.
Where I suspect people will have problems with this book is in regards to the art. Emilio Laiso and Oscar Bazaldua had an unenviable task before them as readers tend to be far harsher when it comes to adaptations than other comics. I wouldn’t call any of the likenesses uncanny but I didn’t find it to be an issue. The only one I wasn’t fond of was Cassian. There’s something off about his moustache. Mostly, the art made me draw favorable comparisons between this issue and Jorge Molina’s work on the main Star Wars book with the SCAR troopers.
Rogue One #1 is definitely worth picking up if you’re even a little bit interested. Time (and the next few issues) will tell whether this adaptation reaches the heights of the novelization.
Rogue One #1: Writer/Jody Houser, Artists/Emilio Laiso & Oscar Bazaldua, Colorist/Rachelle Rosenberg, Letterer/Clayton Cowles, Editor/Heather Antos, Supervising Editor/Jordan D. White.